Coltrane himself had little to say publically about the intensive theoretical work behind his most famous compositions, probably because he’d rather they speak for themselves. He preferred to express himself philosophically and mystically, drawing equally on his fascination with science and with spiritual traditions of all kinds. Coltrane’s poetic way of speaking has left his musical interpreters with a wide variety of ways to look at his Circle, as jazz musician Corey Mwamba discovered when he informally polled several other players on Facebook. Clarinetist Arun Ghosh, for example, saw in Coltrane’s “mathematical principles” a “musical system that connected with The Divine.”
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